Tuesday, 28th: Movie: "Komediant", 9 p.m. The glory days of the Yiddish stage are brought to life in this funny saga of a legendary theatrical family, the Bursteins. Arriving in New York in 1924, Pesach'ke Burstein, the dancing-singing comedian, quickly became a leading figure in the Golden Era of Yiddish theater. On stage, he met and fell in love with rising star Lillian Lux who would become his wife. Embarking together on triumphant overseas tours as a couple, soon the Bursteins became the parents of twins, Mike and Susan, who before long were given stage names and accompanied their parents regularly on stage as the family performed around the globe. In time, however, the pressures of theatrical life would take its toll on the family. Smoothly incorporating rare archival footage and interviews with Yiddish stage veterans (including Fyvush Finkel), this tightly edited, briskly paced documentary is as richly bittersweet – filled with laughter and tears, schmaltz and grit – as the Yiddish theater itself.

Thursday, 30th: Documentary - "Before the Music Dies", 9 p.m.

Narrated by Forest Whitaker. A great, great film about the music industry end of music as we know it: "With outstanding performances and revealing interviews Before the Music Dies takes a critical look at the homogenization of popular music with commentary by some of the industry's biggest talents like Eric Clapton, Dave Matthews, Elvis Costello, Erykah Badu, Branford Marsalis, Bonnie Raitt and more. Using historic footage the film looks at the evolution of American music and the artists who created it and pulls back the curtain (in a very creative way) to expose the sad truth behind today's "artificial" music stars. "The reality is that superficiality is in," says Marsalis. "And depth and quality is kind of out." IMDB: imdb.com Trailer: madscience.antville.org Homepage: www.beforethemusicdies.com

Friday, 31st: Dinner and "Forgotten Silver ", 9 p.m.

This dryly funny mockumentary about the lost work of a pioneering New Zealand film genius is probably one of the best examples of the faux-documentary genre. In fact, it was so successful that when it originally aired on New Zealand television, hundreds of viewers bought the premise hook, line, and sinker. If you didn't know any better yourself, it's entirely possible you might be duped into believing the extremely tall tale of one Colin MacKenzie, an ambitious filmmaker who made the world's first talking movie (years before The Jazz Singer), invented color film, and created a huge biblical epic that would put Cecil B. DeMille and D.W. Griffith to shame. Filmmaker Peter Jackson (Heavenly Creatures) shrewdly inserts himself into the film via his documentation of the "discovery" of McKenzie's lost epic, which for years was preserved in a garden shed. This hidden gold mine, which Jackson likens to finding Citizen Kane in an attic, will forever rewrite the history of film--a fact to which both critic Leonard Maltin and studio exec Harvey Weinstein eagerly attest. Jackson chronicles MacKenzie's fame through newspaper accounts, still photos, and keenly inventive footage showing both the behind-the-scenes shenanigans of MacKenzie's Salome as well as clips from that crowning film achievement; if you don't believe the filmmakers, actor Sam Neill is on hand to vouch for its importance. Jackson has the self-importance of film documentaries down pat, from the "re-creations" of past events through photos and voiceovers (the film's narration is properly stentorian), and never tips his hand once through the interviews with film historians as well as MacKenzie's "wife." Even nonfilm historians and aficionados will be won over by Jackson's subtle humor and inventiveness--you'll remember the story of Colin MacKenzie for a long time to come. -Mark Englehart